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Let me get one thing straight: you can say whatever you want about WIT Studio falling victim to Kodansha’s unfair and unreasonable production scheduling in the third season just like MAPPA is now, and how that lead to a double split-cour which ultimately wasn’t even enough to assure consistent quality throughout part two, but you must also admit pointing out these things is nothing more than a diversion from the far greater travesty of animation before you now. There seems to be this odd and ignorant consensus pervading the fandom which suggests any and all criticismĪimed at a poor product is somehow a direct insult to the workers who made it, and this is a shockingly immature worldview to espouse. If your expectation for Attack on Titan is an anime you can watch on a screen and hear with speakers, then this season will do you well, but if your expectations are a well directed, well organized story brought to life with beautiful animation crafted by a passionate team of talented artists and genius creatives, then you will be sorely disappointed, because unlike previous seasons, this production is so hideously ugly, you’d think Attack on Titan wasn’t the defining masterpiece of our era, which it most certainly is.